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Doza Humbucker

Doza Humbucker
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Shadow AZ48
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Shadow AZ48

510,00 lei
PickupAmong jazz guitarists the SHADOW - AZ48 "Atilla Zoller" has long been an insider tip. A special mounting bracket "floats" the pickup practically between body top and strings, its wide magnetic field picks up all the nuances of the play. The result is a overtone rich and balanced sound in all fingerboard positions. Actually a loud single coil but by means of abundant shielding there are no si..
Shadow AZ49
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Shadow AZ49

510,00 lei
PickupThe SH AZ 49 has the same characteristics as the world's most renowned jazz guitar pickup (SH AZ 48, Article Nr. 122283) - only the housing has been changed.The pickup was created with specifications from Attila Zoller and is played by numerous Jazz greats around the world due to its warm, clean, and clear tones.One of the most highly acclaimed jazz pickupsHumbucker for guitarWarm tone with ..
Harley Benton HBCL-BK
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Harley Benton HBCL-BK

175,00 lei
HumbuckerPAF-StyleAlnico magnetsFor bridge positionCheap replacement pickupClassic designWarm, balanced yet brilliant soundAlso designed for vintage soundsOpen coils2-Core shielded cableIncluding frameMade by Shadow..
DiMarzio DP 155FBK The Tone Zone
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DiMarzio DP 155FBK The Tone Zone

450,00 lei
Tone Zone HumbuckerThe DiMarzio Tone Zone with F (Floyd Rose vibrato) spacing is a truly loud humbucker that can even teach lazy amps to sing and roar. Even with high gain, the sound can prevail thanks to the convincing overtone spectrum, almost like an open wah wah pedal, but without the typical restricted sound of this popular way of making lead sounds more assertive. This is ensured by the trem..
DiMarzio DP192F-BK
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DiMarzio DP192F-BK

415,00 lei
PickupF-Spaced humbuckerAir ZoneFat-sounding bridge pickupWell-defined bassColour: BlackInformatii aditionaleActive NoWiring 4-ConductorOutput MediumKappe NoColour BlackPosition Bridge..
DiMarzio DP100FCR
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DiMarzio DP100FCR

445,00 lei
Super Distortion-FPretty much everything began with the DiMarzio Super Distortion. We remember the '70s: everyone wanted the fat, creamy tube overdrive, but this was only possible at downright harmful volumes (since the master volume control was not so widespread). Many pickups simply delivered too little output and sustain because the amp couldn't be sufficiently overdriven. But then, Larry DiMar..